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Our Top Album of the Year: Rosalía's Lux Takes the Top Place.

On the surface, this work could seem more like a challenging university quiz than a new pop project from an artist whose previous hit featured an international pop icon. Divided across four separate parts and voiced in thirteen tongues, it is a dizzying orchestral-influenced work that delves into feminine mystique, spiritual ascent, and corporal transformation, frequently by way of the lens of different women saints. The end of a relationship—a theme handled with raw openness on another major 2025 album—soars heavenward on this record, buoyed by the constant sound of a full orchestra and contributions from a Pulitzer-winning songwriter among a long roll call of collaborators. Its sheer daring alone renders the work of contemporary pop stars seem rather small.

Rising Above Scholarly Pretense

That this album manages to escape overly academic posturing feels nearly a miracle, with full credit belonging to Rosalía. Although it's not the first time project to alchemize historical sounds and modern styles, the scale are far higher on Lux, with the balancing act far more precarious. The element that really elevates this fourth release, outside of its multilayered melodies, dense compositions, and inherent theatricality, proves to be a core spirit of joy. Much like the legendary artist at her height, you find a wondrous quality to the vocalist's singing which sweeps you up in its tornado. Even when she's breaking your heart in two, the listener still want to stay right there for the journey.

A Signature Example of Exuberance

This exuberant energy comes forth brightly during the stirring Italian song inspired by a saint. It luxuriates in a string-drenched whirlpool over more than four minutes. Suddenly, everything falls silent, and there's a spontaneous giggle and a comment before a comically exaggerated string crescendo thuds down like cartoonish force. The track then segues into the frenetic single featuring galloping strings, a powerful choral group, and a surprise appearance from none other than herself.

"The magic with Lux lies in the listener never exactly understand—or even want to know—what it is going next."

Almost every track concludes in a completely distinct place than where it started. A track examines the fleeting nature of celebrity with a featherlight symphony only to collapsing into digital cacophony. Another, a cut that recalls the artist's previous trap-infused work begins off dark and sinister, featuring menacing vocals, before sudden flamenco rhythms and an angelic chorus arrive to soften the song's jagged corners.

The Bridge Between Experiment & Pop

Another crucial balancing act on Lux involves straddling the gap between bold innovation and mainstream accessibility. It is little surprise that it has become her highest-charting work to break into the upper reaches of major charts: its heart contains a collection of truly catchy hits. One track performed entirely in English swells on a chorus that feels to gather more and more infectious hooks while it spins skyward. This feat is repeated on a different expansive ballad that grows and contracts, weaving layered melodies like a complex tapestry.

  • A waltz-like song charms via its jaunty, theatrical drama and an anthemic chorus.
  • In its words, it aligns with cultural honesty of contemporary heartbreak anthems, lambasting an ex- partner labeled an "psychological terrorist".
  • Across the album, the singing carry a sharp smile, akin to a fairy-tale character concealing a knife: "Gold medal in being a motherfucker / You have the podium of letdown."

An Opulent Banquet for the Ears

Lux represents popular music on a maximalist level, a hungry reach for capital-A artistry in an era of looming artificial sameness. It rejects solipsism in favor of sublime elevation, crafting a dramatic spectacle that skillfully manages its inherent ridiculousness. This is a deep source of hidden treasure that takes time to fully mine but never seem like hard work. While other big pop albums of 2025 seemed like feasting on meal, this record offers a lavish feast where the characters at it, some intoxicated on holy drink, flutter from conversations about ancient figures, the profound sensation of heartbreaking grief, and shared stories about useless partners. It is a modern-day musical from pop's truly restlessly creative practitioner.

The writer

Cassandra Watkins

A seasoned journalist with over 15 years of experience covering UK politics and social issues, known for insightful reporting.

Vision UK Media

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